I draw, write, make interactive stories, and design software—sometimes all for the same project. I work at the Times, founded Cita Press and contribute to The New Yorker.
I’m the senior design editor of AI initiatives at the New York Times and contribute humor and cartoons to the New Yorker. I wrote Papel sensible (Planeta, 2022), a book about artists, the history of photography, and love.
I’m the senior design editor of AI initiatives at the New York Times and contribute humor and cartoons to the New Yorker. I wrote Papel sensible (Planeta, 2022), a book about artists, the history of photography, and love.
I design software that uses AI, usually for investigative reporting. I get people’s skepticism about it and consider understanding its limitations and biases as part of the job. I’m interested in digital literacy for artists and writers, but I don’t push technology on anyone, and have a deep appreciation for contemplation, manual work, and the creative process.
I founded and now sit on the board of Cita Press, a bilingual publisher of open-access books, sponsored by Educopia and funded by Mellon. We’ve received close to a million dollars in funding to make educational content about women in literature and publish bilingual free editions of books from the fifteenth century through the present—Saint Teresa of Ávila, Nellie Bly, George Eliot, Virginia Woolf, and more. I don’t have a newsletter, but Cita does.
I was a fellow at Harvard’s Berkman Klein Center, where I’m now a affiliate. I was also a Fulbright scholar, a museum graphic designer and a photographer at late-night Erasmus parties in northern Italy, paid in drinks. I’m fluent in Italian, Spanish and English, kinda.